This was my final submitted image for the editorial brief. I was really pleased with this image as I wanted to capture the energy and unity that the women’s marches had, which I think I managed to achieve. Something I need to keep in mind for the future is that neon and fluorescent colours don’t scan particularly well so the colours aren’t always what I hope for them to be.
For the editorial brief, I was aware that my finished image would have to be digitalised, but I wanted to start with something created by hand. In the article, it speaks of coming together as a community and progressing forward, which is what I wanted to represent in my piece. I used the silhouettes in order to represent women but I didn’t want to over feminise it, as this wasn’t necessarily about femininity, but strength and unity.
Link to the article I chose-
Quick experiments in stencil cut posters. Using bold shapes and bright colours together to create the poster design.
Continuing in a similar way to some of my Field project work, I wanted to create some smaller posters with quicker, shorter messages.
My idea for the Creative Conscience project was to make a D.I.Y. protest poster kit. The kit includes letters and symbols which could then be used to create a poster. The idea focussing on giving people their own voice and a way in which to use it. I decided to include a selection of symbols which could be arranged onto the posters as well.
I wanted an emphasis to be on protesting for the positive rather than dwelling and emphasising the negative. I chose bright colours in order to add a lightness to the posters.
To make the kits, I created stencils for exposing the screens and then screen printed the different colours. Overall, I was pleased with the outcome although it was incredibly time consuming and if I were to create a number of kits, this methos wouldn’t be feasible.
For me personally, constellation this year has most certainly influenced the way I think about my practice. My study group for this year was with Cath Davies titled Monsters & Goddesses: Glamour and the Grotesque. For me, the concepts I found the most interesting and relevant to my own practice were those regarding gender theories and how they are part of our society. This made me think about how I can create work that doesn’t reinforce them but works in a progressive way.
The other aspect that I felt has influence myself and my practise the most is materials and their connotations. In the study group we looked at what materials have masculine connotations and the same for feminine. This gave me the realisation that at every part of my own practice, I am making so many decisions that contribute to the overall meaning to a piece of work, therefore I am now more thoughtful when making those decisions.
I found that overall, Constellation has given me the ability to apply theory and context to my own work. I felt that I was incredibly fortunate to be in a group with others that were very interested in the topics, which I definitely found to be a benefit. Being able to talk about the study group with others was a definite factor in my own understanding.
Being in a group with people from other disciplines was probably one of the most influential aspects of my study group as it allowed me to broaden myself and have to adjust my way of thinking to theirs. This was especially prevalent when talking about materials as someone from Textiles has a very different approach to someone perhaps from Product Design. Because of being in an interdisciplinary group, it made me gain an understanding of how others would use the materials in their own work, in a way I possibly wouldn’t have thought about. This for me was very interesting and has definitely influenced my practice since.
In the last study group with Cath Davies I felt very fortunate to have a study group delivered by her as I felt that her teaching style suits my leaning style. Her sessions were interactive and engaging rather than it being a one way dialogue where the lecturer just talks at the class. I believe that experiencing different teaching styles is most definitely beneficial although I have felt that there is a lack of consistency throughout the groups. I felt this mostly after the study groups had finished as some student received more in the way of resources and guidance.
I think for me, the part of constellation that has been the biggest, most positive factor is the way in which the ideas I have been introduced to have made me think about the world I live in. It has made me feel more engaged and more questioning which for me has been a really positive experience and I feel will stay with me and influence my practice. I now feel less worried about tackling bigger concepts in my own work as well as using the theories to strengthen my own ideas.
Constellation has most certainly made me consider my own academic skills. Although I do feel I have some strengths, there are many areas that I would consider my weaknesses. At times, I do struggle with academic work, but Constellation has allowed me to confront them and now I am able to work to make those areas stronger.
For the piece in the exhibition, I was going to work on a larger scale. To begin with I had written texts containing my thoughts and feelings but it became apparent that there was just too much writing and the meaning and point was getting lost. It was also at this point that I realised I had hadn’t given much thought to the overall aesthetic of the piece. After looking at the work of Sister Corita Kent, I realised it didn’t have to just be completely text and I had to consider the over all composition. This is when I decided to incorporate shapes and colour. The colour palette is always important to me, I wanted the combination to be bright, bold yet still cohesive.